Cultural heritage can take and be displayed in many forms. It can be in the form of a collection, a set of archaeological exhibits, or an invented narrative. The links between memory, archaeology and narrative may be fruitfully analysed in relation to two imposing expressions of “fake” art: Pamuk’s Museum of Innocence and Damien Hirst’s Unbelievable.
Mancino, E. (2019). In search for recovered object. Creative heritage ad the aesthetic, pedagogical and desire-related outcome of "fake" museum art. In A. Luigini (a cura di), Proceeding of the 1st International and Interdisciplinary Conference on Digital Environments for Education, Arts and Heritage : EARTH 2018. Springer Nature.
In search for recovered object. Creative heritage ad the aesthetic, pedagogical and desire-related outcome of "fake" museum art
Mancino, E
2019
Abstract
Cultural heritage can take and be displayed in many forms. It can be in the form of a collection, a set of archaeological exhibits, or an invented narrative. The links between memory, archaeology and narrative may be fruitfully analysed in relation to two imposing expressions of “fake” art: Pamuk’s Museum of Innocence and Damien Hirst’s Unbelievable.
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