Multimodal recognition of emotions in music and language

We investigated through electrophysiological recordings how music-induced emotions are recognized and combined with the emotional content of written sentences. Twenty-four sad, joyful, and frightening musical tracks were presented to 16 participants reading 270 short sentences conveying a sad, joyful, or frightening emotional meaning. Audiovisual stimuli could be emotionally congruent or incongruent with each other; participants were asked to pay attention and respond to filler sentences containing cities’ names, while ignoring the rest. The amplitude values of event-related potentials (ERPs) were subjected to repeated measures ANOVAs. Distinct electrophysiological markers were identified for the processing of stimuli inducing fear (N450, either linguistic or musical), for language-induced sadness (P300) and for joyful music (positive P2 and LP potentials). The music/language emotional discordance elicited a large N400 mismatch response (p =.032). Its stronger intracranial source was the right superior temporal gyrus (STG) devoted to multisensory integration of emotions. The results suggest that music can communicate emotional meaning as distinctively as language.