In Italy, as in many other countries, diversification in social campaigns against gender-based violence is slowly leading to a decrease in the use of images of physically abused women. Though such images are widely criticized, there are no empirical studies that concretely confirm their (in)effectiveness. In this context, the main hypothesis of the research presented in this article is that the representation of a woman as the victim of violence triggers strong emotions. However, compared with other new-generation campaigns, such representations are associated with a lower level of engagement. The study compared six social campaigns: two using images of women where one portrays a battered woman; two with images of men; one depicting a couple; and one that addresses the whole of society. The campaigns were included in a questionnaire administered to 386 people who assessed and compared them from the point of view of their emotional impact, and their ability to inspire thought and provoke action. The article's research hypothesis is ultimately not proven; i.e., the image of the woman as victim of violence incites more of a reaction, makes one think more, and is associated with a greater level of engagement.
Binik, O. (2020). The effectiveness of communication campaigns on violence against women: suffering, between reality and representation. COMUNICAZIONI SOCIALI(2), 278-294 [10.26350/001200_000092].
The effectiveness of communication campaigns on violence against women: suffering, between reality and representation
Binik, O.
2020
Abstract
In Italy, as in many other countries, diversification in social campaigns against gender-based violence is slowly leading to a decrease in the use of images of physically abused women. Though such images are widely criticized, there are no empirical studies that concretely confirm their (in)effectiveness. In this context, the main hypothesis of the research presented in this article is that the representation of a woman as the victim of violence triggers strong emotions. However, compared with other new-generation campaigns, such representations are associated with a lower level of engagement. The study compared six social campaigns: two using images of women where one portrays a battered woman; two with images of men; one depicting a couple; and one that addresses the whole of society. The campaigns were included in a questionnaire administered to 386 people who assessed and compared them from the point of view of their emotional impact, and their ability to inspire thought and provoke action. The article's research hypothesis is ultimately not proven; i.e., the image of the woman as victim of violence incites more of a reaction, makes one think more, and is associated with a greater level of engagement.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.