Alessandro Bonvicino (c. 1498–1554), commonly known as Il Moretto da Brescia, was an Italian Renaissance painter. In his “The Adoration of Shepherds” (1539–1540), a shepherd shows a bi-lobar goiter. The painter was active in a geographical area, where inhabitants often suffered from endemic goiter due to dietary iodine deficiency and could have influenced Moretto.

Trinca, F., Riva, M. (2019). The representation of a goiter by Renaissance painter Moretto da Brescia. JOURNAL OF ENDOCRINOLOGICAL INVESTIGATION, 42(9), 1133-1134 [10.1007/s40618-019-01023-8].

The representation of a goiter by Renaissance painter Moretto da Brescia

Riva, MA
Ultimo
2019

Abstract

Alessandro Bonvicino (c. 1498–1554), commonly known as Il Moretto da Brescia, was an Italian Renaissance painter. In his “The Adoration of Shepherds” (1539–1540), a shepherd shows a bi-lobar goiter. The painter was active in a geographical area, where inhabitants often suffered from endemic goiter due to dietary iodine deficiency and could have influenced Moretto.
Articolo in rivista - Articolo scientifico
Goiter, Renaissance, Moretto da Brescia, Fine Arts, History
English
2019
42
9
1133
1134
none
Trinca, F., Riva, M. (2019). The representation of a goiter by Renaissance painter Moretto da Brescia. JOURNAL OF ENDOCRINOLOGICAL INVESTIGATION, 42(9), 1133-1134 [10.1007/s40618-019-01023-8].
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10281/220266
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